Featuring: Doireann Ní Ghríofa’s Irish Book Award-winning A Ghost in the Throat that reads like a literary detective story; her muse Eibhlín Dubh Ní Chonaill at the centre of the book and Doireann’s hunt for details about her life; oral history and being passed down in the bodies of women; the all-consuming journey of translating Eibhlín’s iconic poem; the obsession that countered the loneliness of motherhood; how an experience of dissection changed the trajectory of Doirean’s life; the surprising way she began writing; how the place we write makes itself felt in the texture of a book; the worlds between languages and their particular melodies; writing poetry in both English and Irish; and following hunches.
Doireann Ní Ghríofa has published in both Irish and English and has written six acclaimed collections of poetry. Her most recent, To Star the Dark was described by The Irish Independent as ‘playful, serious, joyful, and moving’. Her book of prose called A Ghost in the Throat received Book of the Year at the Irish Book Awards and had phenomenal reviews across the word. Doireann has also received many other awards and accolades including a Lannan Literary Fellowship, Italy’s Ostana Prize, a Seamus Heaney Fellowship and the Rooney Prize for Irish Literature.
A Ghost in the Throat dives into all manner of subject from bees and breastfeeding to anatomy and what happens to bodies when they’re given over to science. Many scenes are grounded in the minutiae of a woman’s life, as Doireann both celebrates and documents motherhood, rearing children and the joy and messiness of it all. At the heart of the story is one of Ireland’s great poets, a woman named Eibhlín Dubh Ní Chonaill and her iconic poem or keen of lament. A Ghost in the Throat is part obsession, part honouring and it is not actually classifyable, which is also part of the appeal. To use Doireann’s own term, this is a female text.