Featuring: Hannah's earlier books Burial Rites and The Good People; the landscape in her life and work; the messiness of first drafts; on writing Devotion, a modern novel that's 'a queer love story'; celebrating the light; returning to that place of play; balancing imagination and research; the Prussian and Lutheran history of South Australia; the occult; exploring places of absence and silence; the experience of screenwriting; what working at Kill Your Darlings taught Hannah; a love of poetry.
Australian novelist Hannah Kent’s first novel Burial Rites, about the last woman executed in Iceland, was a bestseller internationally and translated into 30 languages. It won a mountain of awards including the ABIA Literary Fiction Book of the Year and the Victorian Premier’s People’s Choice Award and is being adapted for film. Her second novel The Good People set in Ireland in 1825 is also being adapted for film and was also critically acclaimed – Paula Hawkins described it ‘a literary novel with the pace and tension of a thriller’ which could be applied to Hannah's work as a whole. While all of her novels are very different, they’re also tied together by bringing the past alive, and writing about enigmatic people who are often outsiders - and writing about the heart of life – about love and death and suffering. Hannah’s new novel Devotion is just out, and readers everywhere will be delighted to hear it’s ‘a glorious love story’ as Sarah Winman described. It’s both lyrical and compelling and Hannah pulls you in from the first page.