Featuring: Steve Toltz's new book Here Goes Nothing and why it’s set in the afterlife; using time in the writing process like a painter uses light; Steve’s spiritual home; juggling editorial notes from different countries; the overarching project of Steve’s work; a short reading; on writing humour and hilarious characters (who are also very entertaining to write); his experience in writers' rooms, how Steve first got an agent; his play that didn't eventuate; what's next and some wonderful reading recommendations. ‘A writer uses time like a painter uses light - without time you can’t even see what it is that you’ve done.’ ‘Years go by without ever showing anyone a word…I get it as good as I can possibly get it without burying it in the garden for six months' ‘I don’t feel like I’ve ever really been in a literary world that much’ On editorial notes: ‘There’s always the clear understanding that you can take them or leave them...I end up always taking about 80% of the notes because they’re always generally great.'
Steve Toltz is the author of A Fraction of the Whole, which was shortlisted for the Man Booker Prize and the Guardian First Book Award and Quicksand, which won the Russell Prize for Humour. Booklist called A Fraction of the Whole ‘a deliriously philosophical novel . . . with uproarious ruminations on freedom, the soul, love, death, and the meaning of life" and in a way that applies to Steve's work as a whole and his new book, Here Goes Nothing.
The Irish Times described Here Goes Nothing as, ‘a smart social commentary on our fossil fuel-guzzling, warmongering, information-obsessed, pandemic-riddled world’ and as The Scotsman said, he writes with ‘remorseless, brilliantly withering contempt’, though this sits alongside a story and characters that are both affecting and strangely moving.
Steve’s also worked as screenwriter on shows like No Activity and Guilty Party.